Archive for the ‘The Indie Outlook’ Category
Joni Mitchell is one of the most celebrated artists of the last half-century, and her landmark 1971 album, Blue, is one of her most beloved and revered works. Generations of people have come of age listening to the album, inspired by the way it clarified their own difficult emotions. Critics and musicians admire the idiosyncratic virtuosity of its compositions. Will You Take Me as I Am – the first book about Mitchell to include original interviews with her – looks at Blue to explore the development of an extraordinary artist, the history of songwriting, and much more. In extensive conversations with Mitchell, Michelle Mercer heard firsthand about Mitchell’s internal and external journeys as she composed the largely autobiographical albums of what Mercer calls her Blue Period, which lasted through the mid-1970s. Incorporating biography, memoir, reportage, criticism, and interviews into an illuminating narrative, Mercer moves beyond the “making of an album” genre to arrive at a new form of music writing.
The definitive biography of James Brown, the Godfather of Soul, with fascinating findings on his life as a Civil Rights activist, an entrepreneur, and the most innovative musician of our time
Playing 350 shows a year at his peak, with more than forty Billboard hits, James Brown was a dazzling showman who transformed American music. His life offstage was just as vibrant, and until now no biographer has delivered a complete profile. The One draws on interviews with more than 100 people who knew Brown personally or played with him professionally. Using these sources, award-winning writer RJ Smith draws a portrait of a man whose twisted and amazing life helps us to understand the music he made.
The One delves deeply into the story of a man who was raised in abject-almost medieval-poverty in the segregated South but grew up to earn (and lose) several fortunes. Covering everything from Brown’s unconventional childhood (his aunt ran a bordello), to his role in the Black Power movement, which used “Say It Loud (I’m Black and Proud)” as its anthem, to his high-profile friendships, to his complicated family life, Smith’s meticulous research and sparkling prose blend biography with a cultural history of a pivotal era.
At the heart of The One is Brown’s musical genius. He had crucial influence as an artist during at least three decades; he inspires pity, awe, and revulsion. As Smith traces the legend’s reinvention of funk, soul, R&B, and pop, he gives this history a melody all its own.
Bob Dylan, Willie Nelson, Emmylou Harris, U2, Peter Gabriel, and the Neville Brothers all have something in common: some of their best albums were produced by Daniel Lanois. A French-speaking kid from Canada, Lanois was driven by his innate curiosity and intense love of music to transcend his small-town origins and become one of the world’s most prolific and successful record producers, as well as a brilliant musician in his own right.
Lanois takes us through his childhood, from being one of four kids raised by a single mother on a hairdresser’s salary, to his discovery by Brian Eno, to his work on albums such as U2′s The Joshua Tree, Bob Dylan’sTime Out of Mind, and Emmylou Harris’s Wrecking Ball. Revealing for the first time his unique recording secrets and innovations, Lanois delves into the ongoing evolution of technology, discussing his earliest sonic experiments with reel-to-reel decks, the birth of the microchip, the death of discrete circuitry, and the arrival of the download era.
Part technological treatise, part philosophical manifesto on the nature of artistic excellence and the overwhelming need for music, Soul Mining brings the reader viscerally inside the recording studio, where the surrounding forces have always been just as important as the resulting albums. Beyond skill, beyond record budgets, beyond image and ego, Lanois’s work and music show the value of dedication and soul. His lifelong quest to find the perfect mixture of tradition and innovation is inimitable and unforgettable.
Harry Belafonte is not just one of the greatest entertainers of our time; he has led one of the great American lives of the last century. Now, this extraordinary icon tells us the story of that life, giving us its full breadth, letting us share in the struggles, the tragedies, and, most of all, the inspiring triumphs.
Belafonte grew up, poverty-ridden, in Harlem and Jamaica. His mother was a complex woman—caring but withdrawn, eternally angry and rarely satisfied. His father was distant and physically abusive. It was not an easy life, but it instilled in young Harry the hard-nosed toughness of the city and the resilient spirit of the Caribbean lifestyle. It also gave him the drive to make good and channel his anger into actions that were positive and life-affirming. His journey led to the U.S. Navy during World War II, where he encountered an onslaught of racism but also fell in love with the woman he eventually married. After the war he moved back to Harlem, where he drifted between odd jobs until he saw his first stage play—and found the life he wanted to lead. Theater opened up a whole new world, one that was artistic and political and made him realize that not only did he have a need to express himself, he had a lot to express.
He began as an actor—and has always thought of himself as such—but was quickly spotted in a musical, began a tentative nightclub career, and soon was on a meteoric rise to become one of the world’s most popular singers. Belafonte was never content to simply be an entertainer, however. Even at enormous personal cost, he could not shy away from activism. At first it was a question of personal dignity: breaking down racial barriers that had never been broken before, achieving an enduring popularity with both white and black audiences. Then his activism broadened to a lifelong, passionate involvement at the heart of the civil rights movement and countless other political and social causes. The sections on the rise of the civil rights movement are perhaps the most moving in the book: his close friendship with Martin Luther King, Jr.; his role as a conduit between Dr. King and the Kennedys; his up-close involvement with the demonstrations and awareness of the hatred and potential violence around him; his devastation at Dr. King’s death and his continuing fight for what he believes is right.
But My Song is far more than the history of a movement. It is a very personal look at the people in that movement and the world in which Belafonte has long moved. He has befriended many beloved and important figures in both entertainment and politics—Paul Robeson, Eleanor Roosevelt, Sidney Poitier, John F. Kennedy, Marlon Brando, Robert Kennedy, Nelson Mandela, Fidel Castro, Tony Bennett, Bill Clinton—and writes about them with the same exceptional candor with which he reveals himself on every page. This is a book that pulls no punches, and turns both a loving and critical eye on our country’s cultural past.
As both an artist and an activist, Belafonte has touched countless lives. With My Song, he has found yet another way to entertain and inspire us. It is an electrifying memoir from a remarkable man.
A love song to an American icon: the first full-length biography of Carly Simon, from an acclaimed music journalist who has known her for decades
Carly Simon has won two Grammys and an Academy Award, and her albums have sold more than forty million copies. Her music has touched countless lives since her debut in the 1970s, yet her own life story has remained unpublished-until now. Tapping private archives, family interviews, and a forty-year friendship with the legend herself, Stephen Davis at last captures Carly Simon’s extraordinary journey from shy teenager to superstar. More Room in a Broken Heart candidly covers everything her fans want to know, including:
- Growing up with her father, publishing mogul Richard Simon
- The Bob Dylan turning point that launched her career
- The real story behind “You’re So Vain”
- Carly’s severe stage fright (she’s the only musical guest to pretape an SNL segment)
- Romantic involvements with Mick Jagger, Warren Beatty, and Cat Stevens
- How Carly and James Taylor went from being pop music’s reigning couple to independent souls living at opposite ends of Massachusetts
- Surviving breast cancer
- Her recent financial and spiritual crises
Along the way, Davis vividly takes readers back to some of the most powerful eras in American music history and delivers a tribute worthy of the artist and her loyal fans, who know that nobody does it better than Carly Simon.
An intimate portait, in pictures and his own words, of the enormously successful Canadian singer Michael Bublé became an international phenomenon with the release of his first, self-titled album of 2003, which reached the top ten in Canada and in the UK. Since then he has sold more than 25 million albums, and filled concert halls and stadiums worldwide.
OnStage OffStage is an intimate portrait of this extraordinary singer, told in his own words and through the photographs of Dean Freeman. Bublé talks about his BC upbringing, his early nightclub days, the excitements and temptations of fame, and the sometimes gruelling demands of the road. Buble is a man who takes his music seriously, and himself less so, telling his story with refreshing candour and frequent flashes of self-deprecating humour. You might be tempted to use the expression “warts and all” — except that the stunning photos in this book clearly show he doesn’t have any. But they do capture Bublé in his every mood and in every setting, at home and at leisure, in rehearsal, in the heat of peformance. OnStage OffStage adds up to the second closest encounter any fan could wish for.
David Bidini, rhythm guitarist with the Rheostatics, knows all too well what the life of a rock band in Canada involves: storied arenas one tour and bars wallpapered with photos of forgotten bands the next. Zit-speckled fans begging for a guitar pick and angry drunks chucking twenty-sixers and pint glasses. Opulent tour buses riding through apocalyptic snowstorms and cramped vans that reek of dope and beer. Brilliant performances and heart-sinking break-ups.
Bidini has played all across the country many times, in venues as far flung and unalike as Maple Leaf Gardens in Toronto and the Royal Albert Hotel in Winnipeg. In 1996, when the Rheostatics opened for the Tragically Hip on their Trouble at the Henhouse tour, Bidini kept a diary. In On a Cold Road he weaves his colourful tales about that tour with revealing and hilarious anecdotes from the pioneers of Canadian rock – including BTO, Goddo, the Stampeders, Max Webster, Crowbar, the Guess Who, Triumph, Trooper, Bruce Cockburn, Gale Garnett, and Tommy Chong – whom Bidini later interviewed in an effort to compare their experiences with his. The result is an original, vivid, and unforgettable picture of what it has meant, for the last forty years, to be a rock musician in Canada.
In the 1980s, music defined the moment: “Video Killed the Radio Star” ushered in MTV, “Don’t You (Forget about Me)” ruled The Breakfast Club, and “I Still Haven’t Found What I’m Looking For” became the anthem of a generation. The 1980s were also the most visually provocative era of the last millennium. Every new vinyl single hit the stands wrapped in eye-catching sleeves that reflected the latest trends.
Put the Needle on the Record is pop culture historian Matthew Chojnacki’s definitive guide to 7- and 12-inch vinyl single artwork from the ’80s. He presents and compares more than 250 vinyl single covers, representing nearly every prominent musician of the decade. Read the previously untold stories behind the 1980s’ most iconic images from the designers and visual talent behind Madonna, Prince, Adam Ant, Pink Floyd, Queen, The Clash, Pet Shop Boys, Kate Bush, and more.
Coupled with exclusive commentary from more than 100 of the ’80s biggest musicians, including Annie Lennox, Duran Duran, Run-DMC, Gary Numan, The B-52′s, Erasure, OMD, Scorpions, The Knack, and Yoko Ono, this is an authoritative journey back to the songs and images that continue to influence our culture.
Contains a foreword by Jake Shears of Scissor Sisters and an afterword by Nick Rhodes of Duran Duran.
From acclaimed musician and author Dave Bidini comes a brilliantly original look at a folk-rock legend and the momentous week in 1972 that culminated in the Mariposa Folk Festival.
July, 1972. As musicians across Canada prepare for the nation’s biggest folk festival, held on Toronto Island, a series of events unfold that will transform the country politically, psychologically–and musically. As Bidini explores the remarkable week leading up to Mariposa, he also explores the life and times of one of the most enigmatic figures in Canadian music: Gordon Lightfoot, the reigning king of folk at the height of his career. Through a series of letters, Bidini addresses Lightfoot directly, questioning him, imagining his life, and weaving together a fascinating, highly original look at a musician at the top of his game. By the end of the week, the country is on the verge of massive change and the ’72 Mariposa folk fest–complete with surprise appearances by Bob Dylan, Neil Young, Joni Mitchell, and yes, Lightfoot–is on its way to becoming legendary.
Jann Arden is funny. And sincere. She has legions of devoted fans. And a radio show. She is a darling of the music scene – always candid, always unplugged. You thought you knew Jann Arden, but there is more – to her readers’ delight, in Falling Backwards Jann reveals her childhood, her bond with family, her struggle in the formative years and what keeps her so grounded in the whirlwind entertainment industry. Jann has always been true to herself, except for a minor lapse when she was young. Oh wait, wasn’t that all of us?
From the tender and honest to the laugh-out-loud funny, Jann’s stories from home and from the road during her pre-celebrity years will take you to unexpected places, including high school parties in farmer’s fields, sleepovers under the stars, hard-to-believe summer jobs and the time she was stuck upside down in a brick barbecue. She reminds us of the inestimable value to a child of having teachers who believe in you and wide open spaces to play. But with the good times come the bad (and not just the bad perm). Jann opens up about the darker side of her so-called prairie perfect nuclear family and the first signs that her eldest brother was a uniquely troubled young man. In the days when Jann was experiencing a lot of firsts – first school play, first home perm, first kiss – how lucky for all of us that she stole away to her basement and taught herself her first song on her mother’s guitar.
In addition to being an incredible musician and multi-award-winning lyricist, Jann is a natural writer and simply an inspiration. Jann will capture your heart – and keep you in stitches – with her powerful stories about coming of age as an artist and as a human being. Jann brings her wit and that infectious sparkle to everything she does. This book is no exception.